Difference between revisions of "ARP-2600"
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| − | ARP-2600 | + | ARP-2600 Main page with the notable tracks, embedded youTubes, and so forth. |
| − | + | ||
| + | --- | ||
| + | |||
| + | Table of all Songs here: | ||
| + | |||
| + | [[ARP 2600 Full Song List]] | ||
| + | |||
| + | == Table of all ARP Odyssey Tracks == | ||
| + | Notable tracks are highlighted rows | ||
| + | {| class="wikitable sortable" | ||
| + | |- | ||
| + | |'''Artist''' | ||
| + | |'''Track''' | ||
| + | |'''Year''' | ||
| + | |'''Song Part''' | ||
| + | |'''Notes & Reference''' | ||
| + | |'''Media''' | ||
| + | |- | ||
| + | |ARP Analog Synth Jazz Band | ||
| + | |Take The A Train | ||
| + | |1980 | ||
| + | |‘Tap Dancer Getting Shot’ | ||
| + | |A TV spot featuring nine ARP synths, introduced by one a presenter in that ‘incredulous’ style, like they’ve never seen a piece of technology before. | ||
| + | arpysynth.com | ||
| + | |YouTube | ||
| + | |- | ||
| + | |Chick Corea | ||
| + | |Space Circus | ||
| + | |1974 | ||
| + | |Solos | ||
| + | |Trading licks with Bill Connors. | ||
| + | YouTube | ||
| + | |YouTube | ||
| + | |- | ||
| + | |Deep Purple | ||
| + | |Space Truckin’ (Live) | ||
| + | |1974 | ||
| + | |Solo | ||
| + | |Jon Lord lets rip on the Odyssey during this 15 minute classic Deep Purple jam. | ||
| + | YouTube | ||
| + | |YouTube | ||
| + | |- | ||
| + | |Frank Zappa | ||
| + | |Inca Roads | ||
| + | |1974 | ||
| + | |LFO Synth Effects | ||
| + | |This song appears on the album “One Size Fits All.” In the intro, George Duke uses an Odyssey Rev1 to create an LFO based sound effect. | ||
| + | arpsynth.com | ||
| + | |YouTube | ||
| + | |- | ||
| + | |Gary Numan | ||
| + | |Cars | ||
| + | |1979 | ||
| + | |Synth Lead | ||
| + | |"I still like to use the ARP Odyssey because it has the best window-shaking bottom end of any synth." - Gary Numan | ||
| + | SOS | ||
| + | |YouTube | ||
| + | |- | ||
| + | |George Duke | ||
| + | |Funny Funk | ||
| + | |1974< | ||
| + | |Bass/Synth Lead | ||
| + | |Album: Feel | ||
| + | ”He (Frank Zappa) told me one day, that I should play synthesizers. It was as simple as that! I finally settled on ... an ARP Odyssey. I decided to use an ARP, purely to be different from Jan Hammer, who was playing the Mini Moog, and had a head start on me in the mastery of synthesis. I was really drawn to the possibilities inherent therein. There were some things that were a drag also! Remember, at this time there were no presets or ways of saving patches. Not only that, but you were limited to one note at a time. So overdubbing, a good memory and management system became very important. The year was 1974.” | ||
| + | |YT | ||
| + | |} | ||
Latest revision as of 14:41, 3 February 2022
ARP-2600 Main page with the notable tracks, embedded youTubes, and so forth.
---
Table of all Songs here:
Table of all ARP Odyssey Tracks
Notable tracks are highlighted rows
| Artist | Track | Year | Song Part | Notes & Reference | Media |
| ARP Analog Synth Jazz Band | Take The A Train | 1980 | ‘Tap Dancer Getting Shot’ | A TV spot featuring nine ARP synths, introduced by one a presenter in that ‘incredulous’ style, like they’ve never seen a piece of technology before.
arpysynth.com |
YouTube |
| Chick Corea | Space Circus | 1974 | Solos | Trading licks with Bill Connors.
YouTube |
YouTube |
| Deep Purple | Space Truckin’ (Live) | 1974 | Solo | Jon Lord lets rip on the Odyssey during this 15 minute classic Deep Purple jam.
YouTube |
YouTube |
| Frank Zappa | Inca Roads | 1974 | LFO Synth Effects | This song appears on the album “One Size Fits All.” In the intro, George Duke uses an Odyssey Rev1 to create an LFO based sound effect.
arpsynth.com |
YouTube |
| Gary Numan | Cars | 1979 | Synth Lead | "I still like to use the ARP Odyssey because it has the best window-shaking bottom end of any synth." - Gary Numan
SOS |
YouTube |
| George Duke | Funny Funk | 1974< | Bass/Synth Lead | Album: Feel
”He (Frank Zappa) told me one day, that I should play synthesizers. It was as simple as that! I finally settled on ... an ARP Odyssey. I decided to use an ARP, purely to be different from Jan Hammer, who was playing the Mini Moog, and had a head start on me in the mastery of synthesis. I was really drawn to the possibilities inherent therein. There were some things that were a drag also! Remember, at this time there were no presets or ways of saving patches. Not only that, but you were limited to one note at a time. So overdubbing, a good memory and management system became very important. The year was 1974.” |
YT |
